Then, in a way, we don’t know much more at all we just know what we think we know.” Dealing with the potential of certain texts to expand our knowledge of the world, you also say, in a piece in The Los Angeles Review: “While university presses help by publishing some of these works, they don’t take on others: the manuscript must match a list, and this list consolidates established emphases of teaching and research.” Your work includes research and teaching in the Comparative Literature Department at UCLA, I believe, as well as translation. In our most in-depth Book Club interview to date, Reeck sifts through the “layers of imperial cultural history in Algeria”, makes an eloquent plea for the widening of the capital/cultural space currently allotted to translation, and suggests that “the translation of texts that are already domesticated work against translation in a broader sense.”Įrik Noonan (EN): Discussing the role of the translator in your statement for the National Endowment for the Arts, you say that “In a globalized world, while we know more about many parts of the world that we didn’t have access to previously, often what we know seems to get cemented quickly into easy stereotypes. In the course of a wide-ranging interview with Asymptote Assistant Editor Erik Noonan, Reeck aims to challenge that dominant paradigm of always being “on our best behaviour.” “I’m always surprised by how docile American intellectuals are when they enter the public space,” says Matt Reeck, the translator of Zahia Rahmani’s strikingly bold “Muslim”: A Novel. Translated from the Swedish by Kathy Saranpa Majgull Axelsson, from My Name is Not Miriam.Translated from the Swedish by Elizabeth Clark Wessel Jonas Gardell, from Don’t Wipe Their Tears Without Gloves.Translated from the Swedish by Saskia Vogel Translated from the Swedish by Zach Maher Translated from the Swedish by Christian Gullette Translated from the Swedish by Freke Räihä Translated from the Arabic by Kevin Blankinship et al Various Arabic authors, The Muʿallaqāt for Millennials: Pre-Islamic Arabic Golden Odes.Translated from the Italian by Elizabeth Harris Translated from the French by Bill Johnston Translated from the Indonesian by Tiffany Tsao Norman Erikson Pasaribu, Happy Stories, Mostly.Translated from the Galician by Erín Moure Translated from the Ukrainian and Russian by Various Translators Oksana Maksymchuk and Max Rosochinsky, Words for War: New Poems from Ukraine.Translated from the Italian by Will Schutt
Translated from the Filipino by Alton Melvar M. Alvarez, from The Autobiography of the Other Lady Gaga Translated from the Polish by Soren Gauger
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Agnieszka Taborska, from The World Has Gone Mad: A Surrealist Handbook on How to Survive.Translated from the German by Hannah Weber Translated from the Danish by Amy Priestley Theis Ørntoft, Our Days in Paradise are Over.Translated from the Russian by Matthew Hyde Andrii Petrovitch Krasnyashchikh, from As Bombs Fall.Translated from the Ancient Greek by Rebekah Curry Translated from the Spanish by Cristina Pérez Díaz Translated from the French by Ella Bartlett Translated from the Korean by An Seon Jae Gong Ji Young, from A Tall, Blue Ladder.Translated from the Serbian by Luka Pavicic Aljoša Ljubojević, How We Started the War.Translated from the French by Charles Lee Nina Yargekov, The Obedient Little Girl.Translated from the Persian by Alireza Abiz and Edward Doegar Translated from the French by Marine Cornuet Anna Gréki, from Algérie, capitale Alger.Translated from the Russian by Margaree Little Osip Mandelstam, Lines on an Unknown Soldier.Translated from the Korean by Cindy Juyoung Ok
Kim Hyesoon, from The Hell of That Star.Translated from the Danish by Denise Newman Signe Gjessing, from Tractatus Philosophico-Poeticus.obviously, its welldesigned and fun, and a long world with alot of gameplay and fun mazes and puzzles! Since renders doesn't work, ill post some pics here.Translated from the German by Wally Swist Alright, so I haven't gotten WOTD in like 7months now, so I decided that this is my time.
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